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Stijl als grondslag. Het filosofisch schrijverschap van Adorno

Authors

  • Sytze Steenstra

Abstract

Adorno's philosophical authorship. Recent Dutch publications describe Theodor W. Adorno's writing as a form of obscurity that philosophers do better to avoid. This goes back to Habermas' critique of the subject-object model that would underlie his work, and to the objection that Adorno failed to deliver a theory of mimesis. In opposition to this, it is demonstrated that style and mimesis are the foundation of Adorno's work. It is part of the anti-foundational tradition of philosophical poetics that was begun by the early German romantics. To explain his style, the influence of his stylistic role models, composer Alban Berg and literary critic and philosopher Walter Benjamin, is discussed. Adorno's central theme, in keeping with early romanticism, is the rewriting of myths.

Author Biography

Sytze Steenstra

Sytze Steenstra is verbonden aan de Capaciteitsgroep Filosofie van de Faculteit der Cultuurwetenschappen van de Universiteit Maastricht. Hij promoveerde op We are the noise between stations. A philosophical exploration of the work of David Byrne, at the crossroads of popular media, conceptual art, and performance theatre (Maastricht, Mixed Media, 2003).

Published

2005-03-23

How to Cite

Steenstra, Sytze. 2005. “Stijl Als Grondslag. Het Filosofisch Schrijverschap Van Adorno”. Krisis | Journal for Contemporary Philosophy 25 (1):82-101. https://krisis.eu/article/view/39406.

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