Op vrijdag 1 juni wordt aan de hand van de thema’s kennis, kunst en kritiek naar de herinnering en actualiteit van 1968 gekeken in Vox-Pop in Amsterdam.
Met workshops, paneldiscussies, exposities, en aan het eind van de dag kritiese poezie & performances.
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Our entire archive is transferred to our new site. Have a look and let us know if anything is missing!
While super-hurricane climate and super-offensive politicians are tying up news headlines, the new issue of Krisis brings together philosophical perspectives on urgent political issues. Our first article explores the interrelation between philosophy and activism head-on, when Joost Leuven analyses the role of theory in contemporary animal rights advocacy. Against the backdrop of social research suggesting that animal rights advocates are often weary of taking clear philosophical positions, Leuven argues as to why the articulation of philosophical theory should be an intrinsic aspect of the practice of advocacy. With similar exigency, Michiel Bot’s work focuses on the case of Dutch politician Geert Wilders’s employment of ‘giving and taking offense’. Bot examines one of the architects of modern political rhetoric and demonstrates the enduring salience of Adorno and Marcuse for the 21st century. The article by Pieter Lemmens and Yuk Hui focusses on two philosophers that have recently waded into the discussion of the Anthropocene, Stiegler and Sloterdijk, and explores their Heideggerian inheritance. This exploration prompts serious questions as to whether Stiegler and Sloterdijk have convincing answers to the Anthropocene’s moral and political challenges.
In addition, Rob Ritzen interviews philosopher Chiara Bottici, author of A Philosophy of Political Myth and Imaginal Politics. As the imaginal’s power – be it fake-news, digital propaganda or conservative utopias – becomes more and more visible, Bottici’s work attempts to build a philosophical framework for investigating the role of images and narratives in politics.
As part of our review section, Sudeep Dasgupta considers Gloria Wekker’s book White Innocence against the backdrop of current politics of race, Matthijs Kouw presents the Dutch geophilosophical work Water by René ten Bos, and Temi Ogunye reviews Alejandra Mancilla’s cosmopolitan exploration of The Right of Necessity. Finally, Marc Tuters discusses Alberto Toscano and Jeff Kinkle’s Cartographies of the Absolute in relation to Fredric Jameson’s legacy.
The promise of modernity’s drone-assisted conquest of air space is far from uncomplicated. As unmanned air vehicles become more ubiquitous, with implementations ranging from intelligence-gathering and covert military attacks to cultural production and everyday logistics, this special issue of Krisis captures the technical, aesthetic, economic, psychic, and political challenges facing the rise of the drone. Attending to the multiple deployment and employment of drones, the various contributions to this issue sustain a critical engagement with the conceptual confusions and practical contradictions in related debates, thus collectively generating a counterpoint to reductionist accounts of scientific determinism, drone fetishism, and political spectacle.
To invoke and provoke the everyday, “These Cryptical Skies” by Rob Stone (Emily Carr University of Art and Design) opens the issue by bringing home the unease of displaced technologies through sonic imagination and biomimicry. Moving from patterned cacophonies to discursive shifts, “Drone Visions: Tomas van Houtryve’s Blue Sky Days and the Rhetoric of Precision” by Øyvind Vågnes (University of Copenhagen) evaluates the role of euphemism in shaping public perception of the so-called War On Terror. Echoing the kind of precarious aesthetic that can lead to the uninvention of precision suggested by Vågnes, the next article tackles the prominent image of the drone operator as PlayStation killer head-on—“Embodiment, Subjectivity, Affect in a Digital Age: Understanding Mental Illness in Military Drone Operators” by Alex Edney-Browne (University of Melbourne), by questioning the assumption that the virtualization of violence yields a decrease in empathy, argues that mediation can also constitute feelings of proximity and stimulate peer-recognition.
Continuing with the construction of complex understandings of drone capabilities, “Those Who Feel the Fire Burning: Drone Perception and the Aesthetico-Political Image” by Halbe Kuipers (University of Amsterdam) reflects on the metaphysical and ethical implications of image-making when drones participate in filmic world-making. To investigate the phenomenon of the drone further still, a 2015 debate transcript follows, in which Krisis’s own Eva Sancho Rodriguez (University of Amsterdam) moderates a discussion between Willem Schinkel (Erasmus University Rotterdam) and Rogier van Reekum (Erasmus University Rotterdam and Krisis member) in the context of Drift, an annual festival of contemporary philosophy organized by students of the University of Amsterdam. The issue ends with two book reviews: Sigmund Bruno Schilpzand (University of Amsterdam) on Grégoire Chamayous’s A Theory of the Drone and Tobias Burgers (Freie Universität Berlin) on Ian Shaw’s Predator Empire: Drone Warfare and Full Spectrum Dominance.
Krisis has a long tradition of introducing and discussing the work of representatives of Critical Theory. Over the years contributions dedicated to the work of for instance Theodor W. Adorno, Jürgen Habermas, Axel Honneth and Albrecht Wellmer were published. Some of them also published contributions in Krisis. This issue discusses the critical theory of Hauke Brunkhorst. The focus is on two of his recent books: Critical Theory of Legal Revolutions and Das Doppelte Gesicht Europas (‘The two faces of Europe’). An introduction to the work of Brunkhorst is followed by critical contributions on both books by Tannelie Blom, Darryl Cressman, René Gabriëls , Matthew Hoye, Sjaak Koenis, Pieter Pekelharing, Willem Schinkel and Ludek Stavinoha. Finally, this dossier finds its closure with Brunkhorst’s reply to his critics.
In addition to the dossier on the critical theory of Brunkhorst, this issue of Krisis contains three articles. In her article, Lieke van der Veer analyses and evaluates forms of border-crossing and residency that are considered problematic. She shows that states govern unwanted migration through the so-called ‘responsibilization’ of non-state actors. Further, Jess Bier explores in her article the documentary histories of Caribbean pirates. She argues for greater attention to the material boundaries of language to understand the entanglements between texts and the world. Lastly, François Levrau’s article is an intervention in the ongoing debate about multiculturalism. He critically reflects on Will Kymlicka’s political philosophy. This issue of Krisis also includes two book reviews. David Hollanders reviews David Graeber’s The utopia of rules. On technology, stupidity, and the secret joys of bureaucracy (2015). Additionally, Frieder Vogelmann reviews Daniel Zamora’s Critiquer Foucault (2014) as well as Mitchell Dean’s and Kaspar Villadsen’s State Phobia and Civil Society (2016).
This new issue of Krisis is accompanied by an entire new digital environment. In order to make Krisis more accessible it is redesigned and equipped with an entire new website. However, with regard to the content nothing changed. As this issue shows, Krisis stays a platform for articles that discuss issues in contemporary social, political and cultural thought, and also seeks to make the work of classic authors relevant to current social and cultural problems. Furthermore, it upholds its function as a forum for current critical thought on public affairs.
“Anger does not in itself produce political programs for change, but it is perhaps the most basic political emotion. Without it, there is no hope”, as Frantz Fanon’s biographer David Macey wrote in 2000. Since deliberative politics, and in particular parliamentary consensus seeking, show themselves increasingly incapable of addressing a widening set of issues, the relevance of political anger has only intensified in recent years. But what is the role of anger in contemporary politics? Often described as pre-political, anger can both legitimise and delegitimise political action. It may brand political acts as ‘dangerous’ or ‘irrational’, but may also provide them with ‘authenticity’ and ‘conviction’. How can we take ‘the politics of anger’ seriously? And how can we understand the operation of anger in politics?
It is with this problematic in mind that Krisis invites contributions that explore anger and its political potential. Relevant questions include, but are not limited to, the following areas:
1. Anger as a Political Affect: Where are we to place anger in the larger field of political affectivity? How do people get angry and what happens when they do? What sustains, inflects and dramatizes political anger? Should we understand political action as a move into or out of anger? Is anger always already political and, conversely, should politics be reducible to anger? When is anger politically productive, when destructive? What is the contribution of philosophical research into affects (from Spinoza to Massumi) to current political struggles? What role may be played by art or scholarship in the production and mobilization of anger?
2. Representation, Demonstration, and Risk: Can anger truly be represented? How does anger play out in the dynamic and sometimes fraught relationships between represented collectives and their spokespersons? Whose anger is made to matter, and to whom? Bearing Audre Lorde’s emphasis on the dangerous ‘uses of anger’ in mind, we want to pay attention to the relationship between anger, political representation, and risk. Demonstration – a different modality of political action – raises slightly different questions with regards to anger: How is it possible to build upon sometimes fleeting demonstrations of anger, to make it outlive its momentary expression and channel it into a political and social movement?
3. Anger and its Discontents: Anger is not without its affective consequences for those in anger. Is it possible to inhabit it without it metastasizing into either hate or resentment? How to inhabit it without it, to paraphrase David Foster Wallace, ‘eating you alive’? Can individual and collective agents cultivate their anger in ways that create political links rather than boundaries?
Krisis welcomes essays, research articles, and book review proposals.
Krisis also accept Dutch language contributions.
Word limits, excluding bibliographies, are as follows :
Articles (peer-reviewed): 7000 words;
Essays (non-peer reviewed): 5000 words;
Review essays: 4000 words;
Book reviews: 2000 words.
See ‘Submissions’ tab for additional information on submissions. Please send submissions to: firstname.lastname@example.org